We all remember our first Edgar Allen Poe story. For myself, The Telltale Heart. I can still hear that heartbeat. The Raven -- I still make sure to quote the Raven nevermore. When I saw an opportunity to review a copy of this graphic novel adaptation published by Candlewick Press -- I had to jump all over it.
This book is a thrilling adaptation of Edgar Allan Poe’s best-known works by acclaimed artist-adapter Gareth Hinds. He translates Poe's dark genius into graphic-novel format. In "The Cask of Amontillado," a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In "The Masque of the Red Death," a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can’t see his tormentors in "The Pit and the Pendulum," and in "The Tell-Tale Heart," a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems — "The Raven," "The Bells," and Poe’s poignant elegy to lost love, "Annabel Lee." The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror. This graphic novel is slated for release on August 1, 2017
We all know that Poe had recurring motifs in his stories. That is why a key was included at the start of each story which was brilliant. The key include motifs such as angels and demons, death, guilty conscience, murder, insanity. You knew what you were getting into with each story; even if you have previously read Poe before but you truly did not understand the plot. The pictures were visually profound and blended well with each of the stories. Unfortunately I would not recommended reading this on a Kindle or iPad as the word panels and the artwork do not seam up perfectly. I would definitely recommended this book to anyone who is a lover of horror fiction as well as anyone who is a beginner Poe reader.
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